The tactile pieces and independent projects are starting to accumulate volume around my life, and I’m looking at the cluttered canvases, stacked sketch books, and haphazardly piled to-be painted piles of frames now with a sense of relief instead of a lingering sense of dread. It seems to be, at least for me, that ideas in themselves hold a greater tendency to intimidate when merely in suggestive format; when in that premature state of birth: the “blue print stage.” There’s always a possibility of doubt attached to any non-physical conception; “will I be able to construct this idea and translate it into physical space, the way it appears inside of me?” “will others be able to interpret my physical representation the same way I do?” “can I work with the materials I have to give the proper amount of detailed tactile translation?”
I once had a conversation with someone about the “vibe.” The “vibe” was describe as an almost cosmic energy-like force, a thread so to speak, that you tap into, grab, or follow to harvest ideas from, express and create pieces of yourself in reference to, etc,. There was talk about how people go through very long stretches of being “vibe-less.” Not having that ethereal thread to reach out for as a guide line or a lead when it comes to all matters creative. Some could call it writer’s block, artist’s block, just “the block.” That’s being “vibe-less.” I can’t say I’ve ever put much faith in things like this, they’re fun to talk about, and to play with. Needless to say, there’s is a certain physical and mental “click” that happens when you feel you find “a thread” not previously existent in your life. You get your heels into a groove and dig the hell in. That’s a “vibe,” and that’s “finding the vibe.” Continuing!
So many things come to mind when I think about taking an idea or an aspect of an idea, and turning it into something physical for others to look at in any sort of artistic way. Once pushing past the initial creation stage, from gathering textures and ideas, to formatting a sense of what direction to start off in and then doing it, the process does become easier. There’s something to be said for the “stages.” For working in layers and in letting each layer have time to have an affect on you, so that you can proceed with everything in mind, and with those impressions as a guide. That being said I can say I’ve hit stage 2 with one piece of my independent portrait series, tittled “Soldiers of Ghosts,” recently started on this week, and am close to hitting that same stage with another self-portrait for the same series. Also, I’ve started sketches for what I hope can be, a small series dedicated to helping raise money as an adjunct to the Fibromyalgia Fund-Raiser. The first of that sketch series, “Companion” is below.
Portrait series stage 1 - “Soldiers of Ghosts”
Stage 2 - “Soldiers of Ghosts”
And to keep the fund-raising going, don’t forget to mark September the 4th on your calendars, and trek out to The Sly Fox in Royersford for the Race for Fibromyalgia fund-raiser! (info, directions and the 20% off food & drink coupon can all be found here.)









